Julia Ebner

Biography

Julia Ebner is an active classical singer who has been praised for her “vocally and dramatically superb” performances.

Ebner’s operatic credits include the title roles in “Romeo et Juliette,” “L’incoronazione di  Poppea,” “The Merry Widow,” “Hansel and Gretel” and “Princess Ida.” She has also appeared as Donna Anna in “Don Giovanni,” Marguerite in “Faust,” Violetta in “La Traviata,” Hodel in “Fiddler on the Roof,” Mrs. Hayes in “Susannah,” Lucy in “The Threepenny Opera,” Olga in “La  Grand-Duchesse de Gérolstein,” Stella in “A Streetcar Named Desire,” Giulietta in “I Capuleti e I Montecchi,” Musetta in “La Boheme,” Atalanta in “Serse,” Belinda in “Dido and Aeneas,” Gianetta in “The Gondoliers,” Madeline/Isabelle in “The Face on the Barroom Floor,” Micaela and Frasquita in “Carmen,” The First Lady and Pamina in “Die Zauberflöte,” Miss Silverpeal in “The Impresario,” Amitta in “Der Geduldige Socrate,” Mozart and Donna Anna in “The Classical Style,” First Wood Sprite in “Rusalka,” and Monica in “The Medium.”  

Ebner originated the role of Maud in “Pushed Aside: Reclaiming Gage.” She has taken the stage for companies including The Santa Fe Opera, The Florida Grand Opera, Opera North, Virginia Opera, Winter Opera St. Louis, Opera San Antonio, Ash Lawn Opera, St. Petersburg Opera, Bel Cantanti Opera, Green Mountain Opera Festival, Syracuse Opera, Opera in the Heights, The Tri-Cities Opera, Amherst Early Music Festival, Oswego Opera Theater, Chelsea Opera and The Charleston Chamber Opera. Ebner has also had the honor of singing in the chorus of the Metropolitan  Opera for productions of “Fidelio,” “Otello” and “Turandot.” 

A versatile concert performer as well, Ebner’s credits include Beethoven’s “Ninth Symphony,” Handel’s “Messiah,” Mahler’s “Rückert Lieder” and Bach’s  “Magnificat” with Symphoria. She has also sung as the soloist for Vaughan Williams’s “A Sea Symphony” and “Dona Nobis Pacem” and Mendelssohn’s “Elijah” with Symphoria at Hamilton College, Haydn’s “Last Seven Words of Christ” in DeWitt, New York, Mozart’s “Requiem” in Binghamton, New York, and Haydn’s “Missa Brevis in F” at Syracuse University. She has also sung the soprano solos in Mozart’s “Missa Brevis in F” and “Vesperae  Solennes de Confessore” with the Syracuse Masterworks Chorale.

Recognized for her talent for both early music and new music, she has frequently performed as the soprano soloist for the Binghamton Baroque Ensemble as well as the Society for New Music.   

Education

• M.M., Binghamton University
• B.M., Syracuse University