By continuing to use this site, you agree to the use of cookies in accordance with our privacy policy.

VPA Internal Grant Recipients

The College of Visual and Performing Arts (VPA) offers funding opportunities to its faculty and students in the form of several grant programs.

  • Awarded annually, VPA Faculty Research and Creative Grants are intended to support and encourage the growth of research and creative work in VPA.
  • The VPA Faculty Enrichment Fund provides small financial awards offered on a biannual basis to support a variety of faculty activities.
  • Through the VPA Student Grant Program, the college offers small financial awards to outstanding and deserving full-time undergraduate and graduate students who may need financial assistance to engage in programs, activities, internships and residencies that can move them forward in their disciplines. These awards are offered biannually.

Below are recent recipients of these grants.

2025-2026 Academic Year Recipients

Undergraduate Students

  • Eliora Enriquez, Department of Film and Media Arts, for “Senior Thesis Film ‘Cometierra’”
  • Amaya Evans, School of Design, for “Fashion Design Streetwear Senior Collection Development”
  • Carmela Garcia, School of Design, for “Advancing Hempcrete Research for Sustainable Tiny Homes: Cornell Hemp Building Workshop”
  • Clara Kelley, Department of Film and Media Arts, for “The Good Memory Project”
  • Paige Mathes, School of Design, for “Here in our Underworld: Researching Communication, Disability, and Self-Expression in Fashion through Emerging Technologies”
  • Hannah Tjaden, Department of Film and Media Arts, for “Sophomore Student Thesis Project”

Graduate Students

  • Evan Caggia, Setnor School of Music, for “The Midwest Clinic: International Band and Orchestra Conference”
  • Alex Luyan Cao, Department of Film and Media Arts, for “Change: Graduate Thesis Sci-fi Short Film & Practice-Led Research”
  • Taylor Gearhart, Department of Film and Media Arts, for “Drowned, Pleasured and Veiled”
  • Adam Huffman, Department of Film and Media Arts, for “Survival Story: A Film M.F.A. Production”
  • Klark Johnson, Setnor School of Music, for “Student Led Direction of ‘Amahl and the Night Visitors’”
  • Emily Rogers, Department of Film and Media Arts, for "’The Mother of Gloom’ Short Film”
  • Jiayue Yu, Department of Film and Media Arts, for “’Afterimage of a Vacation’: Project Completion”

  • Kelly Gallagher, Associate Professor, Department of Film and Media Arts
    Brood Patch (short personal documentary film)
    “Brood Patch” is a short, personal, experimental documentary exploring the filmmaker’s matrescence (process of becoming a mother). The film combines present day reenactments and dance sequences filmed on 16mm and super 8mm, alongside historical archival footage, and animation to create a deeply textured visual metaphor for the rich and layered experience of one's entry into the beautiful wilderness of motherhood.
  • Anne Laver, Associate Professor, Setnor School of Music
    Post-production costs for The Organ in America, a feature-length documentary exploring the history, innovation, and cultural impact of the pipe organ in the United States.
    This VPA Enrichment Grant will support a portion of editing costs for “The Organ in America,” a feature-length documentary exploring the history, innovation, and cultural impact of the pipe organ in the United States.
  • Wendy Moy, Associate Professor, Setnor School of Music
    Professional Development Through Choral Conference Leadership and International Collaboration
    This project advances scholarly research, international collaboration, and program development through leadership at three professional conferences in choral music. At the National Collegiate Choral Organization (NCCO) Conference, Dr. Moy presents "Reconceptualizing the Collegiate Choral Program in a Post-Pandemic World," establishing her profile as an active scholar-practitioner while contributing timely research to the field. At the ACDA Eastern Region Conference, she serves as liaison for five Portuguese conductors, facilitating cross-cultural pedagogical exchange and hosting one conductor's campus visit, bringing international perspectives directly into Syracuse University classrooms. The NY ACDA Collegiate Conference strengthens regional professional networks and provides current insights into challenges facing new music educators, enhancing mentorship of student teachers and recent graduates. These activities collectively advance Dr. Moy's research trajectory with potential publication opportunities, enrich Music Education and Choral Conducting curricula with global approaches, ensure programs remain responsive to field demands, and actively recruit high-quality graduate students while elevating Syracuse University's visibility within national and regional choral communities.
  • Erica Murphy, Assistant Professor, Department of Drama
    Wolf Women: An Original New Play and Mask-Making Workshops
    “Wolf Women” (working title) is a devised physical theater show that captures the transformation of women in mythology through the backdrop of the extirpation and rehabilitation of wolves in the Adirondacks over the last century. The Faculty Enrichment Fund will support the early stages of mask development for this new work, as well as mask-making workshops to be offered both to the greater Syracuse University community and within the course DRA 373: Clown Technique. These mask-making and performance workshops will be taught by Murphy and collaborator Lei- Lei Bavoil, a mask maker and actor with the Berlin-based company Familie Flöz and the Oslo-based puppet theater company Wakka Wakka.
  • Meri Page, Associate Professor, School of Design
    Practice-Based Research in Typographic Design
    Typographic design has expanded rapidly in recent years, driven by cutting-edge digital tools, a surge of independent type foundries, and the growing demand for unique visual identities. Building on and expanding Professor Page’s research expertise in typography, this funding will provide the resources necessary to create and prototype original typefaces, digitally revive historic lettering, and contribute to innovation in typography.
  • Kyra Stahr, Assistant Teaching Professor, Setnor School of Music
    Professional Development in Choral Conducting: American Choral Directors Association (ACDA), Michigan Music Educators Conference (MMEA), and International Choral Exchange Program (ICEP) in Portugal
    Professional Development in Choral Conducting supports Kyra Stahr’s participation in five major professional engagements during the 2025–26 academic year: the NY Collegiate ACDA Conference, Michigan Music Educators Conference, ACDA Eastern and Southern Division Conferences, and the International Conductor’s Exchange Program (ICEP) in Portugal. Through conference presentations, performances, recruitment activities, and international collaboration, this project will enhance Stahr’s professional growth and expand Syracuse University’s visibility in the global choral community. Highlights include presenting research on Filipino choral music and representing the United States as one of six conductors selected for the ICEP exchange in Portugal. Funding from the VPA Faculty Enrichment Fund will offset travel, lodging, and registration costs, ensuring Stahr’s full participation and advancing Syracuse University’s mission of excellence, diversity, and international engagement in the arts.

  • Kara Herold, Associate Professor, Department of Film and Media Arts: “A Subtle Coming-of-age Portrait with Delicate Undertones” is a dark comedy that examines the fragile line between persistence and delusion, revealing how ambition, envy, and fantasy collide in the messy, often hilarious struggle of a creative life.
  • Lily Jiang, Assistant Professor, School of Design: “Heat Made Visible: Thermochromic Wearable Art for Climate Awareness” will investigate how climate data can be translated into embodied visual experiences on clothing to improve public understanding and engagement.
  • Quran Karriem, Assistant Professor, Department of Communication and Rhetorical Studies: “Using Consumer Hardware and Artificial Intelligence for Motion and Gesture-Based Performance Control Systems” will translate Dr. Karriem’s existing “Synthball” gestural system for live audio and video control to Apple’s iOS and watchOS platforms. The system has been used in several live performance settings in the U.S. and abroad, including one for which Dr. Karriem was recognized for ‘Best Sound Design/Music Composition’ by the New York Dance and Performance Awards. The project will make the technology easier to implement in performances by replicating some of its central features to the iPhone and Apple Watch. Once complete, the iOS and watchOS applications will wirelessly transmit real-time motion data to Dr. Karriem’s previously developed processes for controlling live performance media environments such as Max/MSP, Isadora, and Resolume. Dr. Karriem’s secondary goal is to train an AI model that can classify repeatable gestures and choreographies and apply them to discrete and predictable effects.
  • Jacob Kerzner, Assistant Professor, Department of Drama: “Melodies on Parade: Examining the Canon of Depression-Era Political Musicals” will curate a digital archive of scripts and scores from these productions and produce practical reconstructions to revitalize attention to these rebellious comedies and to further incorporate their practices into musical theater pedagogy.
  • Susannah Sayler, Associate Professor, Department of Film and Media Arts: “Every Abandoned Place” is an artist book of photographs taken during a Smithsonian Artist Research Fellowship, where Professor Sayler documented the disassembly of the iconic National Fossil Hall at the Smithsonian National Museum of Natural History, originally built in 1911.
  • David Tarleton, Professor and Chair, Department of Film and Media Arts: “Mantra” is a narrative/experimental short film that explores resilience and perseverance through a distinctly female perspective. Built around a rhythmic spoken word poem, the film foregrounds women’s voices and lived experiences in the face of adversity, offering a creative counterpoint to conventional depictions of struggle. The project celebrates mature women and situates their stories within poetic, cinematic expression.